Bettye LaVette is the epitome of perseverance. She cut her first record in 1962 at the age of 16, but it took over 40 years before she received the recognition and respect she deserved. In between, she weathered every injustice that the music business threw at her. But she never gave up, she never stopped working, she never stopped singing… in fact, she just got better. Bettye is more than just a singer; she’s an interpreter who can transform any song into something new & special. On this episode, we focus on a track from her 2007 album The Scene of the Crime, and trace the path that brought her to this album– one of my all-time favorites.

“I Still Want To Be Your Baby (Take Me As I Am)” (Eddie Hinton) Copyright Eddie Hinton Music (BMI)

 — This show is just one of many great music-related podcasts on the Pantheon podcast network. Check out the other shows!

On this episode, we pay a little tribute to the great Tina Turner, with an exploration of the song she wrote about her humble beginnings in a little town called Nutbush, TN.  Join us on a journey down Highway 19 to visit “Nutbush City Limits”.

“Nutbush City Limits” (Words & Music by Tina Turner) Copyright 1973 EMI Blackwood Music Inc and EMI Unart Catalog Inc.

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Etta James lived quite a life; some incredible highs and heartbreaking lows throughout her 73 years. From hit songs to heroin addiction, from critical acclaim to violence and bad behavior & jail time, Etta experienced it all. And you could hear every bit of that experience in her voice. I’ve wanted to feature Etta on this podcast for a while; the easy choice would be to pick one of her early classic songs… but instead, let’s listen to an overlooked track from late in her career, when she might have been “past her prime” but more than capable of delivering a heart-wrenching performance.  

“Love’s Been Rough On Me” (Gretchen Peters) Copyright Sony/ATV Tunes LLC dba Cross Keys Publishing/Purple Crayon Music (ASCAP)

— Our podcast is one of many great music-related podcasts on the Pantheon network. Give some of their other shows a try! And remember to follow this show, so you never miss an episode.

Norman Whitfield turned The Temptations from a typical Motown vocal group into Psychedelic Soul pioneers. Their collaboration reached its zenith with “Papa Was A Rolling Stone“, a dark, atmospheric, orchestral showcase for both the Temptations and Whitfield’s genius. This would be the last #1 hit for The Temptations, and they would stop working with Norman Whitfield soon after. But they left behind this monumental masterpiece.

“Papa Was A Rolling Stone” (Norman Whitfield & Barrett Strong) Copyright 1972 Stone Diamond Music Corp.

If you enjoyed this episode, here’s a previous episode that featured another classic Temptations song:
lovethatsongpodcast.com/the-temptations-i-cant-get-next-to-you/

— This show is just one of many great music-themed podcasts on the Pantheon network. Do yourself a favor and check ’em out. And remember to follow this show, so you never miss an episode.

Few albums in history have had the cultural impact as Marvin Gaye’s “What’s Going On”. Universally loved by music fans around the world, it’s an album like none before it. Few records have captured the zeitgeist and remained as relevant as this album — Marvin’s crowning achievement. On this episode, we take a deep dive into the title cut to discover the elements that make up this masterpiece.

“What’s Going On” (Marvin Gaye, Al Cleveland and Renaldo Benson) Copyright 1970, 1971, 1972 Jobette Music Co, Inc.

If you liked this episode, check out our previous episode featuring the great Marvin Gaye:
lovethatsongpodcast.com/marvin-gaye-i-heard-it-through-the-grapevine/

— This show is just one of many great music-themed podcasts on the Pantheon Podcasts network, where you’ll find dozens of other shows featuring the artists & the music we love.

After after two years of COVID-19 shutdowns & false starts, live music is beginning to return. Let’s celebrate the power & importance of live music by looking back at a critical moment in history:

April 5, 1968: Martin Luther King, Jr. was assassinated the day before. America was on edge and riots were breaking out in cities across the country. But the city of Boston, MA held it together. Why? Because the Godfather Of Soul– James Brown— was in town.

(Above Photo: Thomas Atkins (left) and Kevin White (right) speak with James Brown at the Boston Garden, April 5, 1968. It was one day after the assassination of Dr. Martin Luther King Jr. and Atkins, Brown and White are credited with keeping the city quiet in the aftermath.)

— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode.

Wilson Pickett only recorded 9 songs during his time at Stax in Memphis, but they were defining records. “Ninety-Nine And A Half (Won’t Do)” is the last of those singles, released in May 1966. Though not as well-known as “In The Midnight Hour”, “634-5789” or “Mustang Sally”, this song is a stone-cold classic in my book. Let’s see what it’s made of.

“Ninety-Nine And A Half (Won’t Do)” (Eddie Floyd, Steve Cropper, Wilson Pickett) Copyright 1966 Irving Music and Pronto Music Inc.

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Sugar Pie DeSanto (born Peylia Marsema Balinton) was a ton of dynamite in a tiny 4′ 11″ frame… and still is, at the time of this recording. Let’s have a listen to this super-fun classic track, recorded with the great Etta James in 1966.

“In The Basement (Part 1)” (Billy Davis, Raynard Miner & Carl Smith) Copyright 1966 Chevis Music Inc BMI

Here’s the first episode of a new series that we’ll be exploring occasionally here on the “I’m In Love With That Song” Podcast. I’m always interested to hear about music that made a big impact on other people’s lives; in this series, I’m inviting some fellow podcasters and friends in the music industry to discuss an album that shaped their lives in some way.

For this first episode, Podcaster Extraordinaire Eric Miller joins us to talk about Living Color’s “Vivid”. And I discuss one of my influential albums, “Anthology” by Sly & The Family Stone. Hope you enjoy the conversation!

The Ohio Players paid their dues for 15 years before their first #1 Top 100 hit, but by then, they were on fire (pun intended). Built on an incessant groove that won’t quit, they brought heavy funk to the top of the pop charts. On this episode, we take a look at all the elements that make up this funky classic.

“Fire” (Ralph Middlebrooks, Marshall Jones, Leroy Bonner, Clarence Satchell, Willie Beck & Marvin Pierce) Copyright 1974 Play One Music and Segundo Suenos Music

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