“Rain” was the first glimpse of The Beatles exploration of psychedelia. Perhaps more than any other Beatles track, this song highlights the rhythm section with brilliant performances by Ringo Starr and Paul McCartney. Add Lennon’s lyrics and great vocals, and you’ve got one of the best songs to come out of the trippy, mind-expanding ’60’s. On this episode, we take a closer look at the individual performances and studio trickery– backwards, forwards, sped up & slowed down– that went into this classic track. 

“Rain” (John Lennon/Paul McCartney) Copyright 1966 Northern Songs

If you know Richard Lloyd at all, it’s either as a member of Television (the first band to play CBGB’s) or as the guitarist on many of Matthew Sweet’s best tracks.  But Richard released some great solo work in between those gigs, including an album called Field Of Fire.  Overlooked & forgotten, this is one of the best records of the 1980’s (in my opinion, of course).  The title song features some of his best ever guitar work.

On this episode, we’re listening to a great rockin’ track called “Backtrack” that’s as close to “classic rock” as Richard Lloyd will ever get– and I mean that in the best possible way.  Keith Richards would be proud of this guitar riff.

“Backtrack” (Richard Lloyd) Copyright 1985 Richard Lloyd (ASCAP) Anapestic Music/Basement Music LTD. (PRS)

70 years ago this month (June 2019), George Orwell’s “1984” was first published.  So let’s give George an ol’ Rock & Roll salute by looking at one of the many songs inspired by his book.  Sure, I could’ve done David Bowie’s “1984”, but that would be too easy.  I’m a big Utopia fan, so this is a good excuse to take a look at another one of their tracks.  It’s Utopia in dystopia!

For more 1984-inspired songs, check out Eurythmics “Ministry of Love”, Radiohead’s “2+2=5”, or “Standards” by The Jam, just to name a few.

“Winston Smith Takes It On The Jaw” (Utopia) Copyright 1983 Unearthly Music/Fiction Music (BMI) Terrestrial Music/Fourth Floor Music (ASCAP)

On this episode, we revisit the Destroyer album and take a look at the song “King Of The Night Time World” to see how it evolved from an obscure track by a short-lived LA band into a teenage anthem by larger-than-life rock legends.  We’ll listen to both versions and hear what changed & what remained.  Come live your secret dream!

“King Of The Nighttime World” (Kim Fowley/Mark Anthony/Paul Stanley/Bob Ezrin) Copyright 1976 Cafe Americana, Inc/Kiss Songs, Inc (ASCAP)/Bad Boy Music/Eighth Power Music/All By Myself Publishing Co Ltd. (BMI)

Welcome to the 25th episode of the “I’m In Love With That Song” Podcast!  I thought we’d do something a little different for this episode: I’ve picked a handful of my favorite guitar solos and we’ll take a listen to what I think makes a solo great.  In my book, it doesn’t have to be flashy or technically brilliant (not that there’s anything wrong with that), but it does have to be memorable, it has to fit the song, and it should take the song to another level. 

I’m not saying these are the greatest solos of all time, they’re just a few that I think are pretty special.  So turn it up to 11 and put your guitar face on!

Welcome to 2019!  Let’s start the year off with one of the Greatest Rock Bands Of All Time. There is simply no other band like The Who.  Genius and violence, vulnerability and madness… all words that can be used in equal measure to describe The Who.  Four larger-than-life characters that created a dozen indelible classic albums; a band that recorded so much great music that a song like this was tossed aside, eventually released on a ramshackle album of leftovers & outtakes.  Most bands would give an arm & a leg for a song this good.

“The Naked Eye” (Peter Townshend) Copyright 1974 Fabulous Music Ltd/Towser Tunes Inc.

Graham Parker arose from the UK Pub Rock scene, a back-to-basics sound that was a precursor to Punk.  Along with his band, The Rumour (which included guitarist Brinsley Schwarz, a legend in his own right), he recorded a handful of essential albums in the ’70’s and has released a string of great records throughout his long career.  A notable songwriter with a distinct edge and a wonderfully biting voice, he’s influenced many artists that followed.  Here’s one song that represents everything I love about Graham Parker.  

“Stupefaction” (Graham Parker) Copyright 1980 Street Music

One of the most underappreciated bands in rock.  Undaunted by the ups & downs of the fickle music business, Cheap Trick have played over 5000 shows and released 20 albums, including “Rockford” in 2006, one of their best albums ever.  I could’ve picked any song from this album– it’s that good– but I settled on “If It Takes A Lifetime”.  If you don’t have this album in your collection, don’t wait– Go get it now.

“If It Takes A Lifetime” (Robin Zander, Tom Petersson, Rick Neilsen, Bun E. Carlos & Julian Raymond) Copyright Z.P.N.&C./Sony/ATV (BMI) and Maxiva (ASCAP)

A great hard rock & power pop band that somehow fell through the cracks in the late ’70’s, Starz had all the ingredients to make it big– a band of seasoned professionals with a charismatic frontman, a big-name manager, and a record deal with Capitol Records… but while bands like Foreigner, Styx & Boston sold millions of records, Starz just couldn’t break thru to a larger audience.  Too bad, because these guys had some great rock tunes.  Here’s one of their power-pop tracks that serves as a great example of how to write a catchy, memorable song.

Special thanks to the RockNPod Expo for connecting me with the guys in the band.

“She” (Peter Sweval, Joe X. Dube, Michael Lee Smith, Brendan Harkin & Richie Ranno) Copyright 1978 Starzongo Music, Inc/Rock Steady Music, Inc/ASCAP

Living under The Beatles’ shadow was a blessing and a curse for Badfinger.  One of the greatest Power Pop bands of all time, they crafted a catalog of great songs that defined the genre.  “Day After Day” is one of the greatest singles of all time, featuring a beautiful melody, great performances, and a guest appearance by a Beatle.  What more could you want?  This song deserves a place in history.

“Day After Day” (Pete Ham) Copyright 1971 Kobalt Music Publishing Ltd.