Click here to play the podcastAerosmith were at their commercial & creative peak in 1976 when they released Rocks, a high-water mark in their career. The album opens with “Back In The Saddle”, one of their hardest-rocking songs and the perfect way to kick off their heaviest album. There’s lots to uncover in this song, so join us for this episode where we explore this classic track.
“Back In The Saddle” (Steven Tyler & Joe Perry) Copyright 1977 Music Of Stage Three, All Rights Administered by Stage Three Music US Inc.
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TRANSCRIPT:
It’s time to open up pandora’s box for another edition of the “I’m In Love With That Song” podcast. I am your master of ceremonies, Brad Page, and this is the Pantheon Podcast network. Each episode of this show, I pick one of my favorite songs and we explore it together as we continue our quest to understand what makes a song great. As always, no musical skill or expertise is needed here. This show is open to anyone willing and able to listen.
Aerosmith, one of the greatest American bands, was supposed to be on their final tour, going out in style. But singer Steven Tyler suffered a serious vocal injury last year. They had to delay the tour, rescheduling it a couple of times, but sadly, they just announced last month that they have to cancel the entire tour– Steven’s injury was just too severe. And with that, Aerosmith’s career as a live, touring band came to an abrupt end. Unfortunately, the band will not be back in the saddle again. So I thought it would be fitting to revisit this classic track from one of their greatest albums. This is Aerosmith with “Back In The Saddle”.
We’ve featured Aerosmith on this podcast before; we covered “Seasons Of Wither” back on episode 23, and “Kings and Queens” on episode 97. So, I’m not going to rehash the whole Aerosmith history here, but let’s just set the stage for this particular track.
In 1976, Aerosmith were riding high on the success of their third album, “Toys in the Attic”. They had just finished a lengthy tour supporting that album, and after a short break, they reconvened at the band’s rehearsal space.
The year before, 1975, the band was looking for a place to rehearse. Ray Tabano was originally their guitarist, but when he was replaced by Brad Whitford, he became sort of their assistant and their fan club manager. They sent Ray on a mission to find a new place for them to practice and kind of a home base for the band. Ray found an empty building on Pond Street in Waltham, Massachusetts, not far from Boston, which they leased, rewired, built a stage, and turned into their clubhouse. They called it “A Wherehouse”. The Wherehouse became their band office as well as their rehearsal space, and it was a place they all felt comfortable.
Producer Jack Douglas, who had produced their last two albums, was there with them, helping them to develop and work out new songs for their next album. They decided, rather than move everything into a formal studio, they would just record the album right there at the Wherehouse. So, Jack brought in the Record Plant’s remote recording truck, and he mic’d up the Wherehouse,m trying to capture that raw live sound. They spent about six weeks hammering out the songs and laying down the basic tracks. Then the band took the tapes into the Record Plant studio in New York to record the vocals and the guitar overdubs.
The finished album, dubbed “Rocks”, was released on May 14, 1976. It was their hardest-rocking album to date. In fact, looking back now at their entire catalog, it’s still the hardest rocking album that Aerosmith ever made. For many fans, this is their favorite Aerosmith album, and “Back In The Saddle” is the track that opens the record.
It was written by Steven Tyler and Joe Perry, was produced by Jack Douglas and the band, and was performed by Steven Tyler on vocals, Joey Kramer on drums, Brad Whitford on guitar, Tom Hamilton on bass, and Joe Perry on guitar and six string bass. Joe Perry had purchased a Fender Bass VI, which more or less plays like a regular guitar, but it’s tuned an octave lower, like a bass. If you’ve seen The Beatles “Get Back” documentary, then you’ve seen John Lennon play a Bass VI in that film. But Joe Perry was inspired to pick up a Bass VI because one of his guitar heroes, Peter Green from Fleetwood Mac, used to play one. In fact, back on episode 67 of this podcast, we explored the Fleetwood Mac track “The Green Manalishi” and talked about Peter Green and his six-string bass. Then here’s a little bit of Peter Green on his six-string bass.
So, inspired by Peter Green, Joe Perry got himself a six-string bass and started messing around with it. According to Joe himself, he was in his bedroom, lying on the floor on his back, wasted on heroin, when he came up with the riff for “Back In The Saddle”.
The song begins with a long, slow buildup. You can hear the sound of a horse galloping. According to legend, that’s Steven Tyler tapping two coconuts together, Monty Python style. I don’t know if that’s really true or not, but I like to picture that in my head.
And you can hear the horse winnying in the background of the right channel, and that launches us right into the chorus. It’s not exactly unusual for a song to start with the chorus, but it is a little uncommon.
Before we go further, let’s listen to Joe Perry’s six-string bass riff. That was the genesis of this song. That is one brutal riff.
For Stephen Tyler’s voice, Jack Douglas used a particular type of microphone referred to as a shotgun mic. Very unusual choice for a lead vocal mic. Shotgun mics are extremely directional and mostly used to focus on a sound that’s very far away. In this case, it really captures all of the rasp and the ragged edge of Tyler’s voice. It also sounds like Douglas used quite a bit of compression on this vocal track, which accentuates that even more.
While they were at the record plant working on overdubs, the idea of being back in the saddle came up. With a new album coming out, the band would be saddling up and hitting the road again. It reminded Jack Douglas of that old song by Gene Autry, “Back In The Saddle
For Steven Tyler, because he’s Steven Tyler, “back in the saddle” meant having sex with his girlfriend again. But he took these ideas and his notepad and went into the stairwell at the Record Plant. He liked to go there for some quiet and privacy, and that’s where he wrote the lyrics to this song.
You can hear the footsteps there of our main character, his spurs jangling. This was achieved by taping tambourines and bells to Steven Tyler’s boots and then recording him stomping on a piece of plywood.
He mentions the Crazy Horse Saloon and a woman named Suki Jones. He just made those names up. But sometimes characters take on a life of their own. Stephen Adler, the former drummer for Guns N’ Roses, loved this song so much, he named his band Suki Jones.
Throughout the song, there’s a couple of guitars, one on the left, one on the right channel, just making these wild noises, bending and pulling notes and wrangling with their whammy bars. There is also, very low in the mix, two other guitars, one electric and one acoustic– in fact, the acoustic might even be in Nashville tuning– that are hammering on this droning part in the background. Let’s listen to these guitars.
Let’s pick it back up at the second chorus.
That brings us to the second verse. Let’s look at some of the parts that make up the verse. First, let’s hear just the guitars. And this includes the six-string bass.
Then you have the rhythm section with Joey Kramer’s drums and Tom Hamilton playing the regular four-string bass.
All right, let’s hear that all together.
There are some guitar licks in the mix there. I believe those are played by Brad Whitford. Let’s go back and listen to those.
Let’s go back and hear those in context.
There are some really intense Steven Tyler vocals there, enhanced by the use of that microphone and the compression. Let’s hear just that vocal track peeling off.
Let’s go back and listen to the guitars that play under that chorus. And there are more of those clip-clopping steps that are mixed pretty tightly with the drums. You don’t really notice them in the final mix, but you’ll hear them clearly here.
We’ll back it up again and play into the next section.
This is one of my favorite parts of the song. There’s a harmony added to the lead vocal.
The six-string bass is playing another great part. And notice how they’ve added a flanger to it to give it that swirling sound.
The bass and drums are just really driving forward and the layered guitars are really adding a lot of texture. Notice when the acoustic guitar doubles that little descending part. Let’s hear that all together again.
We’re going to hear another chorus. And then there’s a guitar solo that’s off to one side and fairly low in the mix, but we’ll fade some of the other tracks in and out so that you can hear that guitar part a little clearer.
Steven Tyler actually yodels there. You can hear that in the left channel.
There’s more of that Steven Tyler nonsense. Obviously, they were having a lot of fun in the studio with this track. You can hear the sound of a whip cracking. They actually brought a bullwhip into the studio, trying to capture the sound of a real whip. But after a few hours of messing around with the whip, all they ended up with was some cuts and bruises with no usable sounds. So, Steven Tyler ended up whirling a microphone cable around, and they used a cap gun for the sound of the whip cracking. So let’s hear all of that, along with a little more of those backing guitar tracks.
And while all of that is going, on mostly in the left channel, there’s some nice guitar playing going on in the right. So let’s check that out.
Aerosmith – “Back In The Saddle”
Joe Perry and Brad Whifford would leave the band a few years later, Joe in 1979 and Brad in ‘81. But of course, they reunited in 1984, and Aerosmith went on to do the unthinkable: they became even bigger after their reunion.
Very few bands get a second chance at success. You can count on one hand the number of bands who achieved greater success the second time around. Aerosmith is one of them, and they maintained that success for a long time. Say what you will about Aerosmith, but what they’ve done is unprecedented.
The other thing, too, is that all five original members are still with us. There have been dangerous drug habits, overdoses, car accidents. Joe Perry even had a heart attack on stage a few years ago. But at the time of this recording, they’re all still alive. Just the fact that all five of them still walk the planet is some kind of miracle. If this truly is the end of the line, I’m gonna miss them. But they’ve left behind some incredible records and some of my favorite music of all time.
Thanks for listening to this edition of the “I’m In Love With That Song” podcast on the Pantheon Podcast Network. You’ll find new episodes of this show on the 1st and the 15th of every month, so I’ll see you back here in about two weeks. Until then, you can catch up on all of our previous shows on our website, lovethatsongpodcast.com, or listen to us on your favorite podcast app.
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ADDITIONAL INFORMATION:
Aerosmith
https://www.aerosmith.com/
Toys in the Attic Album
https://www.allmusic.com/album/toys-in-the-attic-mw0000192339
Rocks Album
https://www.allmusic.com/album/rocks-mw0000189173
Fender Bass VI
https://shop.fender.com/en-US/electric-basses/other/six-string-bass/
The Beatles ‘Get Back’ Documentary
https://www.disneyplus.com/series/the-beatles-get-back/4SrN28ZjDLwH
Fleetwood Mac
https://www.fleetwoodmac.com/
Gene Autry
https://www.genautry.com/
Record Plant Studio
http://recordplant.com/
Suki Jones Band
https://www.discogs.com/artist/