The "I'm In Love With That Song" Podcast - Music Commentary, Song Analysis & Rock HistoryThe "I'm In Love With That Song" Podcast - Music Commentary, Song Analysis & Rock HistoryThe "I'm In Love With That Song" Podcast - Music Commentary, Song Analysis & Rock HistoryThe "I'm In Love With That Song" Podcast - Music Commentary, Song Analysis & Rock History
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Brad Page

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  • Podcast

1971 – The Year That Rock Exploded

  • May 15, 2021
  • Tagged as: 1971, Classic Rock
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Inspired by David Hepworth’s book, “Never a Dull Moment: 1971 – The Year That Rock Exploded” (and the forthcoming documentary based on his book), we take a quick look at many of the great albums released in 1971.

— This show is one of the many great podcasts on the Pantheon Podcasts network. Check ’em all out!

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  • Podcast

Sugar Pie DeSanto – “In The Basement (Pt. 1)”

  • May 1, 2021
  • Tagged as: 1960's, Chess, Etta James, Funk, R&B, Soul, Sugar Pie DeSanto
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"In The Basement (Part 1)" (Billy Davis, Raynard Miner & Carl Smith) Copyright 1966 Chevis Music Inc BMI

Sugar Pie DeSanto (born Umpeylia Marsema Balinton) was a ton of dynamite in a tiny 4′ 11″ frame… and still is, at the time of this recording. Let’s have a listen to this super-fun classic track, recorded with the great Etta James in 1966.

“In The Basement (Part 1)” (Billy Davis, Raynard Miner & Carl Smith) Copyright 1966 Chevis Music Inc BMI

TRANSCRIPT:
Welcome to the party, friends! This is the “I’m In Love With That Song” podcast, coming to you on the Pantheon Podcast Network. I’m your Master of Ceremonies, Brad Page, and on this episode we’re tossing out all the pretensions and going to the place where we can dance to any music we choose– “In The Basement” with Sugar Pie DeSanto

Umpeylia Marsema Balinton was born in Brooklyn New York in 1935, to a Filipino father and an African-American mother. Her mom had been a concert pianist, so she had music in her blood. Her family moved to San Francisco when she was four. She was close friends with Jamesetta Hawkins, who was discovered by Johnny Otis and renamed Etta James. Umpeylia won a number of talent contests in San Francisco and LA, and eventually Johnny Otis turned his sights to her, signing her in 1955 and changing her name to Sugar Pie DeSanto.

Sugar Pie stood only 4 feet 11 inches tall, but she packed an explosive amount of talent in that small frame. She had a giant voice and boundless energy, doing backflips on stage. Her first hit came in 1960 with “I Want To Know”, which reached number 4 on Billboard’s R&B chart.

[Music]

Sugar Pie moved to Chicago and signed with Chess Records, where she recorded more singles. Her biggest hit with Chess was a track called “Soulful Dress” in 1964.

[Music]

In 1966, she reunited with her friend Etta James for a duet called “Do I Make Myself Clear”:

[Music]

After the success of that single, Sugar Pie and Etta James went back into the studio in ’66 to cut another song together: “In The Basement”.

“In The Basement” didn’t turn out to be a big hit, but I think it’s one of the all-time great dance party songs– right up there with “Dancing In The Street”. “In The Basement” was written and produced by Billy Davis, Raynard Miner and Carl Smith. The song kicks off with a snare drum hit, then a classic bass guitar riff, doubled on the piano:

[Music]

You can tell the party’s already started with the crowd noise in the background. After two bars of the intro riff, there’s a short one-beat pause then the intro riff transitions into the main riff. It is a bit of a different riff, and that’s where the guitar joins in.

[Music]

This is where the first verse comes in, and to set the stage, here’s what Etta James said about the recording of this track:

“I flew up to Chicago where I recorded with my old friend from San Francisco, nutty wild-ass Sugar Pie DeSanto. I dug singing “Into The Basement”, a song that took us back to when we were kids; cutting up, smearing on lipstick, kissing on boys, being bad gang girls with our homemade tattoos and floppy jeans. With happy voices chattering in the background, the record is an all-night-long party, with funky music blaring.”

That pretty much says it all. Here’s the first verse:

[Music]

“Where can you go when the money gets low? In the basement.” Kids with no money, no transportation, too young for the clubs… what do you do? You get together in a friend’s basement where you can turn up the music and have a space of your own.

Now, granted, we were suburban white kids, far from the inner city where I grew up, but we did basically the same thing; hanging out in the basement, playing tunes. A couple times a year, we’d set up our guitars and drums in a friend’s basement and play a show for a dozen of our closest friends. Those moments of escape, freedom and promise… pretty universal experience for most American teenagers, I think.

"Where can you dance to any music you choose, 
you got the comforts of home and a nightclub, too.  
There's no cover charge or fee, 
and the food and drinks are free, 
down in the basement."

That’s the second verse.

[Music]

I love the scream and the backing vocals here.

Let’s bring up the vocals on this last verse

[Music]

“In The Basement” by Sugar Pie DeSanto and Etta James.

Sugar Pie, like so many artists, never made it to the big-time commercially. She’s had to eke out a career over 50 years now, but she kept on going. In 2008, she received the Pioneer Award by the Rhythm And Blues Foundation. At the ceremony, she performed “I Want To Know”, her first hit. And in the middle of the song, she got down on the floor and did a backward somersault.

At the time of this recording, Sugar Pie DeSanto is 85 years old, still going strong. She’s overcome a lot in her life: drugs, alcohol, and tragedy– she was married five times, twice to the same man, Jesse Davis, who died in a fire at their apartment in 2006. Sugar Pie said “He saved my life, but he couldn’t save his own”.

If you’d like to hear more of Sugar Pie DeSanto, there’s a great compilation CD called “Go Go Power: The Complete Chess Singles” that I highly recommend.

Thank you for being a part of this episode. The “I’m In Love With That Song” podcast will be back again soon! Find us on Facebook, where you can write a review or leave a comment; you can find all of our previous episodes on our website, lovethatsongpodcast.com.

This show is part of the Pantheon Network of podcasts, where you’ll find discussions and conversations on all the great bands and artists. Thanks again for listening, and let’s keep the party going with “In The Basement” by Sugar Pie de Santo.

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  • Podcast

Foghat – “Honey Hush”

  • April 15, 2021
  • Tagged as: 1970's, British Blues, Classic Rock, Foghat, Guitar, live albums, Rock
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"Honey Hush" (Lou Willie Turner) Copyright 1963 Unichappell Music Inc

Let’s give some overdue respect to a band of 4 great players who knew how to rock. Here’s a guitar-driven update on an old blues classic, from one of the best live albums of the ’70’s. As a bonus, we take a side trip to explore the origins of a familiar guitar riff.

“Honey Hush” (Lou Willie Turner) Copyright 1963 Unichappell Music Inc

— This show is one of the many great podcasts on the Pantheon Podcasts network. Collect ’em all!

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  • Podcast

The Albums That Made Us – with Special Guest Eric Miller

  • April 1, 2021
  • Tagged as: Albums That Made Us, Eric Miller, Funk, Living Color, Sly Stone, Soul
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Here’s the first episode of a new series that we’ll be exploring occasionally here on the “I’m In Love With That Song” Podcast. I’m always interested to hear about music that made a big impact on other people’s lives; in this series, I’m inviting some fellow podcasters and friends in the music industry to discuss an album that shaped their lives in some way.

For this first episode, Podcaster Extraordinaire Eric Miller joins us to talk about Living Color’s “Vivid”. And I discuss one of my influential albums, “Anthology” by Sly & The Family Stone. Hope you enjoy the conversation!

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  • Podcast

Ohio Players – “Fire”

  • March 15, 2021
  • Tagged as: 1970's, Funk, Ohio Players, R&B, Soul
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"Fire" (Ralph Middlebrooks, Marshall Jones, Leroy Bonner, Clarence Satchell, Willie Beck & Marvin Pierce) Copyright 1974 Play One Music and Segundo Suenos Music

The Ohio Players paid their dues for 15 years before their first #1 Top 100 hit, but by then, they were on fire (pun intended). Built on an incessant groove that won’t quit, they brought heavy funk to the top of the pop charts. On this episode, we take a look at all the elements that make up this funky classic.

“Fire” (Ralph Middlebrooks, Marshall Jones, Leroy Bonner, Clarence Satchell, Willie Beck & Marvin Pierce) Copyright 1974 Play One Music and Segundo Suenos Music

– This show is one of many great podcasts on the Pantheon Podcasts network. Check ’em all out!

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  • Podcast

The Language of Rock

  • March 1, 2021
  • Tagged as: audio, definitions, recording, Rock, technology, terminology, terms

What’s the difference between a “riff” and a “lick”? Between “reverb” and “slapback echo”? We try not to get too technical on this podcast, but occasionally some listeners will get stumped by some of the terminology. So for our 75th episode, I thought I’d explain some of the terms we use on this show– and why it’s necessary to have this “language” to begin with. (Because there’s no sheet music notation for “fuzz tone”.)


— This show is one of many great music-related podcasts on the Pantheon network. You should check them out! And remember to follow this show, so you never miss an episode.

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  • Podcast

Something Happens – “Hello, Hello, Hello, Hello, Hello (Petrol)”

  • February 15, 2021
  • Tagged as: Power Pop
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"Hello Hello Hello Hello Hello (Petrol)" (Written by Something Happens) Copyright 1990 Virgin Music, Inc. (ASCAP)

Every once in a while you hear a song by a band you’ve never heard of and it knocks you out. This was one of those songs for me. A band from Ireland came out of nowhere (as far as the USA is concerned), got some radio play with a great song, and then is largely forgotten here. Same ol’ story. Should’a been a big hit, if ya ask me. But what do I know? Listen to this track along with me and see if you love it as much as I do.

“Hello Hello Hello Hello Hello (Petrol)” (Written by Something Happens) Copyright 1990 Virgin Music, Inc. (ASCAP)

– This show is one of many great podcasts on the Pantheon Podcasts network. Check ’em all out!

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  • Podcast

Big Star – “The Ballad Of El Goodo”

  • February 1, 2021
  • Tagged as: 1970's, Alex Chilton, Big Star, Classic Rock, Power Pop
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"The Ballad Of El Goodo" (Alex Chilton & Chris Bell) Copyright 1972 Ardent/Koala Music Inc/Birdees Music Corp./Irving Music Inc USA

Sometimes, when times are tough and it seems like the world’s against you, a song like this can keep you going. A stunning mix of jangling guitars, sparkling harmony vocals, and a heart-wrenching lead vocal by Alex Chilton, this is my favorite song from my favorite album by the band often referred to as “the greatest band you’ve never heard”.

“The Ballad Of El Goodo” (Alex Chilton & Chris Bell) Copyright 1972 Ardent/Koala Music Inc/Birdees Music Corp./Irving Music Inc USA

— This show is one of many great music-related podcasts on the Pantheon podcast network. Check ’em out!

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  • Podcast

Deep Purple – “Burn”

  • January 15, 2021
  • Tagged as: 1970's, Classic Rock, Deep Purple, Glenn Hughes, Guitar, Hard Rock, Heavy Metal
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"Burn" (Ritchie Blackmore, David Coverdale, Jon Lord and Ian Paice) Copyright 1974 Purple (USA) Music

I’ll happily go out on a limb and say Deep Purple was THE hard rock band of the ’70’s. They could shift from monster guitar riffs to complex classical-influenced passages to outright improvised jams– all within one song. Built around a trio of top-of-their-game players (guitar, organ & drums), with a series of distinctive, powerful singers & bassists — the lineup changes so iconic they became known as Deep Purple Mark I, Mark II, Mark III, etc. This episode, we’ll break down the classic Mark III track, “Burn”, and listen to all the ingredients in this witch’s brew.

“Burn” (Ritchie Blackmore, David Coverdale, Jon Lord and Ian Paice) Copyright 1974 Purple (USA) Music

— This show is one of the many great podcasts on the Pantheon Podcasts network. Check ’em all out!

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  • Podcast

Merry Clayton – “Country Road”

  • January 2, 2021
  • Tagged as: 1970's, Funk, James Taylor, Merry Clayton, R&B, Rolling Stones, Soul
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"Country Road" (James Taylor) Copyright 1970 Blackwood Music Inc./Country Road Music Inc. (BMI)

Merry Clayton never had a big hit, but her voice can be heard in dozens of songs you know (we’ve listened to one of them here before– see episode #42). One of the legendary background singers profiled in the documentary 20 Feet From Stardom, most of her solo work is largely unknown– which is a shame, because there’s some great music on those albums. Take this example from her first album, Gimme Shelter. Merry takes this James Taylor classic to a whole new place, one of my favorite cover songs of all time.

“Country Road” (James Taylor) Copyright 1970 Blackwood Music Inc./Country Road Music Inc. (BMI)

— This show is just one of many great podcasts on the Pantheon network–THE home for music podcasts!

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